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KENNY ROGERS TICKETS
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Kenny Rogers History |
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At the time the band broke up, Rogers was severely in debt and Jolly Rogers was out of business. In order to jump- start his career, he signed to United Artists in 1975, and with the help of producer Larry Butler, he devised an accessible, radio-ready, and immaculately crafted take on country- pop that leaned toward adult contemporary pop, not country. For the next six years, Rogers had a steady string of Top Ten hits on both the country and pop charts. His crossover success is important -- his lush, easy listening productions and smooth croons showed that country stars could conquer the pop audience, if produced and marketed correctly. |
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| During the late '70s and early '80s, much of country radio was dominated either by urban
cowboy or country-pop in the vein of Rogers' own singles. Between 1978 and 1980, he had five straight number one country singles -- "Love or Something Like It," "The Gambler," "She Believes in Me," "You Decorated My Life," "Coward of the County" -- most of which also reached the pop Top Ten. In addition to his solo hits, he had a series of Top Ten duets with Dottie West, including the number one hits "Every Time Two Fools Collide" (1978), "All I Ever Need Is You" (1979), and "What Are We Doin' in Love" (1981). Not only did his singles sell well, but so did his albums, with every record he released between 1976's Kenny Rogers and 1984's Once Upon a Christmas going gold or platinum. By the beginning of the '80s, Rogers' audience was as much pop as it was country, and singles like his cover of Lionel Richie's "Lady" confirmed that fact, spending six weeks at the top of the pop charts. Rogers also began duetting with pop singers like Kim Carnes ("Don't Fall in Love With a Dreamer," number three country, number four pop, 1980) and Sheena Easton ("We've Got Tonight," number one country, number six pop, 1983). Rogers also began making inroads into television and film, appearing in a number of movies, including 1982's Six Pack and two movies based on his songs "The Gambler" and "Coward of the County." Late in 1983, he left United Artists/Liberty for RCA Records, releasing a duet with Dolly Parton called "Islands in the Stream" as his first single for the label. Written by the Bee Gees and produced by Barry Gibb, the record became one of his biggest hits, spending two weeks on the top of both the country and pop charts. Rogers stayed at RCA for five years, during which time he alternated between MOR, adult contemporary pop and slick country-pop. The hits didn't come as often as they used to, and they were frequently competing with releases from Liberty's vaults, but he managed to log five number one singles for the label, in addition to "Islands in the Stream": "Crazy" (1984), "Real Love" (1985), "Morning Desire" (1985), "Tomb of the Unknown Love" (1986), and the Ronnie Milsap duet "Make No Mistake, She's Mine" (1987). Despite his country successes, he no longer had pop crossover hits. Nevertheless, Rogers' concerts continued to be popular, as did his made-for-TV movies. Still, the lack of blockbuster records meant that RCA failed to renew his contract when it expired in 1988. Rogers returned to his first label, Reprise, where he had one major hit -- 1989's Top Ten "The Vows Go Unbroken (Always True to You)," taken from the gold album Something Inside So Strong -- before his singles started charting in the lower half of the Top 40. Throughout the late '80s and '90s, Rogers kept busy with charity work, concerts, his fast- food chain Kenny Rogers' Roasters, television specials, movies, and photography, publishing no less than two books, -Kenny Rogers' America and -Kenny Rogers: Your Friends and Mine, of his photos. Rogers continued to record, releasing albums nearly every year, but they failed to break beyond his large, devoted fan base and only made a slight impact on the charts. With 1998's Christmas From the Heart, he established his own record label, Dreamcatcher; She Rides Wild Horses followed a year later, and There You Go Again was issued in mid-2000 |
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